Fanny Pricillia Sindo, a graduate from the Nanyang Academy of Fine Arts, has made waves in the fashion world with her menswear collection titled Hikikomori. Drawing inspiration from the Japanese term for individuals, primarily men, who isolate themselves at home, her collection reflects the feelings of confinement and introspection many experienced during the quarantine period.

Concept Behind the Collection

Hikikomori embodies oversized silhouettes and androgynous designs, focusing on the themes of clutter, mess, and chaos. Fanny aimed to visualize the emotional landscape of someone lost within their own thoughts and limitations. The collection serves as a commentary on the psychological effects of isolation, making it a poignant representation of contemporary life.

Techniques and Fabric Manipulations

To express the chaotic feelings associated with hikikomori, Fanny employed several innovative fabric manipulation techniques:

• Distressed Weaving: This intricate method took over 70 hours to complete for a single jacket, symbolizing the effort and time spent in isolation.
• Boro Sashiko: This traditional Japanese mending technique combines patchwork and visible stitching, creating a worn-out aesthetic infused with vibrant colors. It resonates with the collection’s themes of resilience amidst chaos.
• Patchworking: By integrating various fabric pieces, Fanny visually represents the disorder that comes with confinement.

These techniques collectively create garments that reflect the emotional weight and complexity of the hikikomori experience.

Passion for Fashion

Fanny’s journey into fashion began with her love for creating. Initially motivated to make clothes for herself, she discovered a deeper appreciation for the artistry involved in garment-making. Fashion, for her, is not just about utility but also about expressing inner thoughts and emotions. She believes that each collection tells a story and serves a unique purpose.

Looking Ahead

As a freshly graduated designer, Fanny is excited to embark on a new chapter in her life. Though the transition can be nerve-wracking, she feels confident in her skills in design, illustration, and pattern making. The pandemic has posed challenges, but it has also opened up opportunities to learn and connect with the world virtually. Fanny aspires to explore diverse cultures and experiences to enhance her creative vision and personal growth.

Conclusion

Fanny Pricillia Sindo’s Hikikomori collection is a powerful reflection of contemporary experiences of isolation, blending traditional techniques with modern sensibilities. Her passion for fashion and her commitment to exploring deeper meanings within her work position her as a promising designer in the ever-evolving fashion landscape.